Kurt Weill as Modernist

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Kurt Weill as Modernist

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Title: Kurt Weill as Modernist
Author: Albright, Daniel
Citation: Albright, Daniel. 2000. Kurt Weill as modernist. Modernism/modernity 7(2): 273-284.
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Abstract: Kurt Weill seems the opposite of a Modernist when compared with Schoenberg, or with the fictitious composer Adrian Leverkühn in Mann’s Doktor Faustus–composers who seem furiously to reject the warm-hearted, gemütlich aesthetic of much nineteenth-century art. But in such works as Die Dreigroschenoper and Der Jasager, Weill, like Thomas Mann himself, shows himself a Modernist of a sophisticated sort by devising a new sort of irony, an irony that does not reject bourgeois values but instead dwells in an interspace between derision and warmth.
Published Version: http://muse.jhu.edu/login?uri=/journals/modernism-modernity/v007/7.2albright.pdf
Terms of Use: This article is made available under the terms and conditions applicable to Other Posted Material, as set forth at http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA
Citable link to this page: http://nrs.harvard.edu/urn-3:HUL.InstRepos:2609643

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  • FAS Scholarly Articles [6948]
    Peer reviewed scholarly articles from the Faculty of Arts and Sciences of Harvard University
 
 

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