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"New Music" and the "New Negro": The Background of William Grant Still's "Afro-American Symphony"

dc.contributor.authorOja, Carol
dc.date.accessioned2009-03-07T11:02:08Z
dc.date.issued1992
dc.identifier.citationOja, Carol J. 1992. "New Music" and the "New Negro": The Background of William Grant Still's "Afro-American Symphony". Black Music Research Journal 12(2): 145-169.en
dc.identifier.issn1946-1615en
dc.identifier.issn0276-3605en
dc.identifier.urihttp://nrs.harvard.edu/urn-3:HUL.InstRepos:2643639
dc.description.sponsorshipAfrican and African American Studiesen
dc.description.sponsorshipMusicen
dc.language.isoen_USen
dc.publisherCenter for Black Music Research - Columbia College Chicagoen
dc.relation.isversionofhttp://www.jstor.org/pss/779440en
dash.licenseLAA
dc.title"New Music" and the "New Negro": The Background of William Grant Still's "Afro-American Symphony"en
dc.relation.journalBlack Music Research Journalen
dash.depositing.authorOja, Carol
dc.identifier.doi10.2307/779440
dash.contributor.affiliatedOja, Carol


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