Early Cantos I-XLI
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| dc.contributor.author |
Albright, Daniel
|
|
| dc.date.accessioned |
2009-10-26T17:14:37Z |
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| dc.date.issued |
1999 |
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| dc.identifier.citation |
Albright, Daniel. 1999. Early Cantos I-XLI. In The Cambridge Companion to Ezra Pound, ed. Ira B. Nadel, 59-91. Cambridge: Cambridge Univ. Press. |
en_US |
| dc.identifier.isbn |
052164920X |
en_US |
| dc.identifier.isbn |
9780521649209 |
en_US |
| dc.identifier.uri |
http://nrs.harvard.edu/urn-3:HUL.InstRepos:3355470 |
|
| dc.description.abstract |
Here begins the great unwieldy poem, all light and mud, to which Ezra Pound devoted much of his life. It was the work of a poet too ambitious, too afraid of being cramped, to work according to a plan. Instead of a plan, Pound devised a strategy for creating a self-scrutinizing text, continually extending itself, ramifying outward, as it groped to comprehend its own prior meanings, to improvise new networks of connection, and to assimilate new material: a text shaped like a developing brain. New Cantos form themselves out of schemes to make sense of old Cantos: so the story of The Cantos comprises two intertwined stories, one concerning Pound's writing of the poem, the other concerning Pound's interpretations of what he had already written. |
en_US |
| dc.description.sponsorship |
Literature and Comparative Literature |
en_US |
| dc.language.iso |
en_US |
en_US |
| dc.publisher |
Cambridge University Press |
en_US |
| dc.relation.isversionof |
http://dx.doi.org/10.1017/CCOL0521431174.004 |
en_US |
| dc.relation.hasversion |
http://books.google.com/books?id=XU0kKuU4IVMC&dq=Cambridge+Companion+to+Ezra+Pound |
en_US |
| dash.license |
LAA |
|
| dc.title |
Early Cantos I-XLI |
en_US |
| dc.type |
Monograph or Book |
en_US |
| dc.description.version |
Accepted Manuscript |
en_US |
| dash.depositing.author |
Albright, Daniel
|
|
| dc.date.available |
2009-10-26T17:14:37Z |
|
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FAS Scholarly Articles [5133]
Peer reviewed scholarly articles from the Faculty of Arts and Sciences of Harvard University
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