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dc.contributor.authorSommer, Doris
dc.contributor.authorWald, Elijah
dc.date.accessioned2013-01-30T15:01:17Z
dc.date.issued2012
dc.identifier.citationSommer, Doris, and Elijah Wald. 2012. Bi-musical moves in Luis Humberto Crosthwaite and Little Joe Hernández. Critical Multilingualism Studies 1(1): 75-93.en_US
dc.identifier.issn2325-2871en_US
dc.identifier.urihttp://nrs.harvard.edu/urn-3:HUL.InstRepos:10246798
dc.description.abstractMeditating on works of fiction such as Crosthwaite’s El gran preténder (1992) and Laviera’s AmeRican (1985), this article proposes bi-musicality (Hood 1960) as both a link between sociolinguistics and literary aesthetics and as a corrective challenge to the positivism of ethnic, demographic, and geographic labeling. From Dell Hymes to Norma Mendoza-Denton in applied linguistics and from Friedrich Schiller to Emmanuel Levinas in aesthetics, Sommer and Wald consider what they call the “pride of interstitial place” in multilingual, crossborder writing and music. The article takes cues from sociolinguistics, dance, and musicology, as it advances a wager about the embodied movements of multilingual poetics.en_US
dc.description.sponsorshipRomance Languages and Literaturesen_US
dc.language.isoen_USen_US
dc.publisherUniversity of Arizona, Department of German Studiesen_US
dc.relation.isversionofhttp://cms.arizona.edu/index.php/multilingual/article/view/12en_US
dash.licenseOAP
dc.subjectbimusicalityen_US
dc.subjectdanceen_US
dc.subjectembodimenten_US
dc.subjectChicano/a literatureen_US
dc.subjectaestheticsen_US
dc.subjectSchilleren_US
dc.subjectborder studiesen_US
dc.titleBi-Musical Moves In Luis Humberto Crosthwaite and Little Joe Hernándezen_US
dc.typeJournal Articleen_US
dc.description.versionAccepted Manuscripten_US
dc.relation.journalCritical Multilingualism Studiesen_US
dash.depositing.authorSommer, Doris
dc.date.available2013-01-30T15:01:17Z
dash.contributor.affiliatedSommer, Doris


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