dc.contributor.advisor | Roxburgh, David J. | |
dc.contributor.advisor | Necipoglu, Gulru | |
dc.contributor.author | Alsaleh, Yasmine F | |
dc.date.accessioned | 2014-06-07T02:15:05Z | |
dc.date.issued | 2014-06-06 | |
dc.date.submitted | 2014 | |
dc.identifier.citation | Alsaleh, Yasmine F. 2014. "Licit Magic": The Touch And Sight Of Islamic Talismanic Scrolls. Doctoral dissertation, Harvard University. | en_US |
dc.identifier.other | http://dissertations.umi.com/gsas.harvard:11479 | en |
dc.identifier.uri | http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274637 | |
dc.description.abstract | The following study traces the production and history of the talismanic scroll as a medium through a Fatimid, Ayyubid, and Mamluk historical periods. My dissertation understands the protocol of manufacturing and utilizing talismanic scrolls. The dissertation is a study of the Qur'an, prayers and illustrations of these talismanic works. I begin by investigating a theory of the occult the medieval primary sources of the Neo-platonic tenth century Ikhwān al-Safa and al-Bunī (d.1225). I establish that talismans are generally categorized as science (`ilm). Next, a dynastic spotlight of talismanic scrolls creates a chronological framework for the dissertation. The Fatimid talismanic scrolls and the Ayyubid pilgrimage scrolls are both block-printed and are placed within the larger conceptual framework of pilgrimage and devotion. The two unpublished Mamluk scrolls from Dar Al-Athar Al-Islamiyyah are long beautiful handwritten scrolls that provide a perspective on how the occult is part of the daily life of the practitioner in the medieval Islamic culture. Through an in depth analysis of the written word and images, I establish that textually and visually there is a template for the creation of these sophisticated scrolls. Lastly, I discuss the efficacy of these scrolls, I use theories of linguistic anthropology and return to the Islamic primary sources to establish that there is a language of the occult and there are people that practiced the occult. The word of God and the Qur'ān empower the scrolls I studied. As for the people who practiced the occult, I turn to the tenth century Ibn al-Nadim and Ibn al-Khaldun (d.1406), the people of the occult are understood. Yet, keeping in mind, that there is always a tension with the theologians that condoned practices of Islamic magic. | en_US |
dc.description.sponsorship | History of Art and Architecture | en_US |
dc.language.iso | en_US | en_US |
dash.license | LAA | |
dc.subject | Art history | en_US |
dc.subject | Middle Eastern studies | en_US |
dc.subject | Islamic art | en_US |
dc.subject | Magic | en_US |
dc.subject | Manuscripts | en_US |
dc.subject | Religion | en_US |
dc.subject | Science | en_US |
dc.subject | Talismans | en_US |
dc.title | "Licit Magic": The Touch And Sight Of Islamic Talismanic Scrolls | en_US |
dc.type | Thesis or Dissertation | en_US |
dash.depositing.author | Alsaleh, Yasmine F | |
dc.date.available | 2014-06-07T02:15:05Z | |
thesis.degree.date | 2014 | en_US |
thesis.degree.discipline | History of Art and Architecture | en_US |
thesis.degree.grantor | Harvard University | en_US |
thesis.degree.level | doctoral | en_US |
thesis.degree.name | Ph.D. | en_US |
dc.contributor.committeeMember | Caton, Steve | en_US |
dash.contributor.affiliated | Alsaleh, Yasmine F | |