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dc.contributor.advisorBlackmore, Josiahen_US
dc.contributor.advisorHerzog, Tamaren_US
dc.contributor.authorDegoes, Plinio T.en_US
dc.date.accessioned2015-07-17T16:53:00Z
dc.date.created2015-05en_US
dc.date.issued2015-05-17en_US
dc.date.submitted2015en_US
dc.identifier.citationDegoes, Plinio T. 2015. The 1824 Confederation of the Equator and Cultural Production in Brazil. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences.en_US
dc.identifier.urihttp://nrs.harvard.edu/urn-3:HUL.InstRepos:17467225
dc.description.abstractDuring the 1824 Confederation of the Equator revolt in northeastern Brazil, a middle-class junta rose to power and waged a war against the monarchy in Rio, journalists participating in creating pedagogical ideological pamphlets, actively engaging in battles, and governing until the revolt was suppressed after a few months. Despite the short duration of this rebel government, the Confederation of the Equator and its ideology have been addressed in cultural production by authors and painters associated with different political movements in the nineteenth, twentieth and early twenty-first centuries, including Jõao Cabral de Melo Neto, Carlos Queiroz Telles, Antônio Parreiras, Gustavo Barroso, Cícero Dias, Murillo La Greca, Heloneida Studart, José Pimentel and Câmara Cascudo. This thesis discusses the history of the event, the content of the message of these thinkers, the spread of their ideas over the course of the nineteenth century and the deployment of the Confederation and its ideas by cultural producers in order to prove that this event has had an impact on the arts in Brazil.en_US
dc.description.sponsorshipRomance Languages and Literaturesen_US
dc.format.mimetypeapplication/pdfen_US
dc.language.isoenen_US
dash.licenseLAAen_US
dc.subjectLiterature, Romanceen_US
dc.subjectPolitical Science, Generalen_US
dc.subjectHistory, Latin Americanen_US
dc.titleThe 1824 Confederation of the Equator and Cultural Production in Brazilen_US
dc.typeThesis or Dissertationen_US
dash.depositing.authorDegoes, Plinio T.en_US
dc.date.available2015-07-17T16:53:00Z
thesis.degree.date2015en_US
thesis.degree.grantorGraduate School of Arts & Sciencesen_US
thesis.degree.levelDoctoralen_US
thesis.degree.nameDoctor of Philosophyen_US
dc.contributor.committeeMemberGíron Negrón, Luisen_US
dc.type.materialtexten_US
thesis.degree.departmentRomance Languages and Literaturesen_US
dash.identifier.vireohttp://etds.lib.harvard.edu/gsas/admin/view/463en_US
dc.description.keywordsBrazil; Confederation of the Equador; nineteenth century; theater; Frei Caneca; Pernambuco; Enlightenment Catholicism; Carmelite activism; Religion in Brazil; Colonial South America; anti-centralism; federalism; constitution; arts in Brazil; Portuguese; luso; Latin America; Carlos Queiroz Telles; Joao Cabral de Melo Neto; Antonio Parreiras; Cicero Diasen_US
dash.author.emailpdegoes@gmail.comen_US
dash.identifier.drsurn-3:HUL.DRS.OBJECT:25164379en_US
dash.identifier.orcid0000-0002-7579-7224en_US
dash.contributor.affiliatedDeGoes, Plinio
dc.identifier.orcid0000-0002-7579-7224


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