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dc.contributor.authorAlbright, Daniel
dc.date.accessioned2009-02-17T20:30:27Z
dc.date.issued2005
dc.identifier.citationAlbright, Daniel. 2005. The witches and the witch: Verdi's Macbeth. Cambridge Opera Journal 17(3): 225-252.en
dc.identifier.issn0954-5867en
dc.identifier.urihttp://nrs.harvard.edu/urn-3:HUL.InstRepos:2623546
dc.description.abstractThe witches in Shakespeare’s Macbeth equivocate between the demons of random malevolence and ordinary (if exceptionally nasty) old women; and both King James I, whose book on witchcraft may have influenced Shakespeare, and A. W. Schlegel, whose essay on Macbeth certainly influenced Verdi, also stress this ambiguity. In his treatment of Lady Macbeth, Verdi uses certain musical patterns associated with the witches; and like the witches, who sound sometimes tame and frivolous, sometimes like incarnations of supernatural evil, Lady Macbeth hovers insecurely between roles: she is a hybrid of ambitious wife and agent of hell.en
dc.description.sponsorshipEnglish and American Literature and Languageen
dc.language.isoen_USen
dc.publisherCambridge University Pressen
dc.relation.isversionofhttp://dx.doi.org/10.1017/S0954586706002059en
dash.licenseLAA
dc.titleThe Witches and the Witch: Verdi's Macbethen
dc.typeJournal Article
dc.description.versionVersion of Record
dc.relation.journalCambridge Opera Journalen
dash.depositing.authorAlbright, Daniel
dc.identifier.doi10.1017/S0954586706002059*
dash.contributor.affiliatedAlbright, Daniel


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