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dc.contributor.authorElmer, David Franklin
dc.date.accessioned2009-11-23T00:10:08Z
dc.date.issued2005
dc.identifier.citationElmer, David F. 2005. Helen Epigrammatopoios. Classical Antiquity 24(1): 1–39.en_US
dc.identifier.issn0278-6656en_US
dc.identifier.urihttp://nrs.harvard.edu/urn-3:HUL.InstRepos:3415493
dc.description.abstractAncient commentators identify several passages in the Iliad as “epigrams.” This paper explores the consequences of taking the scholia literally and understanding these passages in terms of inscription. Two tristichs spoken by Helen in the teikhoskopia are singled out for special attention. These lines can be construed not only as epigrams in the general sense, but more specifically as captions appended to an image of the Achaeans encamped on the plain of Troy. Since Helen's lines to a certain extent correspond to the function and style of catalogic poetry, reading them specifically as captions leads to a more nuanced understanding of both Homeric poetry and Homeric self-reference. By contrasting Helen's “epigrams” with those of Hektor, one can also discern a gender-based differentiation of poetic functions.en_US
dc.description.sponsorshipThe Classicsen_US
dc.language.isoen_USen_US
dc.publisherUniversity of California Pressen_US
dc.relation.isversionofhttp://dx.doi.org/10.1525/ca.2005.24.1.1en_US
dash.licenseLAA
dc.titleHelen Epigrammatopoiosen_US
dc.typeJournal Articleen_US
dc.description.versionVersion of Recorden_US
dc.relation.journalClassical Antiquityen_US
dash.depositing.authorElmer, David Franklin
dc.date.available2009-11-23T00:10:08Z
dc.identifier.doi10.1525/ca.2005.24.1.1*
dash.contributor.affiliatedElmer, David


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