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dc.contributor.authorBeaudoin, Richard
dc.date.accessioned2009-11-23T16:28:54Z
dc.date.issued2009
dc.identifier.citationBeaudoin, Richard. 2009. The principles of microtiming and musical photorealism. Unpublished manuscript.en_US
dc.identifier.urihttp://nrs.harvard.edu/urn-3:HUL.InstRepos:3415685
dc.description.abstractA detailed description of the process by which microtiming data (in milliseconds) and sound energy data (in decibels) generated by LARA is transformed into musical notation, followed by a brief summary of the genesis of musical photorealism, its applications, and its links to cantus firmus techniques and photographic processes.en_US
dc.description.sponsorshipMusicen_US
dc.language.isoen_USen_US
dash.licenseMETA_ONLY
dc.titleSome Account of the Practice of Microtiming and Musical Photorealismen_US
dc.typeOtheren_US
dc.description.versionAuthor's Originalen_US
dash.depositing.authorBeaudoin, Richard
dash.embargo.until10000-01-01
dc.date.available2009-11-23T16:28:54Z
dash.contributor.affiliatedBeaudoin, Richard


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