Editors' Introduction: Adorno, Music, Modernity

DSpace/Manakin Repository

Editors' Introduction: Adorno, Music, Modernity

Citable link to this page

 

 
Title: Editors' Introduction: Adorno, Music, Modernity
Author: Gordon, Peter E.; Rehding, Alexander

Note: Order does not necessarily reflect citation order of authors.

Citation: Gordon, Peter E., and Alexander Rehding. 2016. “Editors’ Introduction: Adorno, Music, Modernity.” New German Critique 43 (3 129) (November): 1–4. doi:10.1215/0094033x-3625283.
Full Text & Related Files:
Abstract: “As a temporal art,” Adorno observed, “music is bound to the fact of succession and is hence as irreversible as time itself. By starting it commits itself to carrying on, to becoming something new, to developing. What we may conceive of as musical transcendence, namely, the fact that at any given moment it has become something and something other than it was, that points beyond itself—all that is no mere metaphysical imperative dictated by some external authority. It likes in the nature of music and will not be denied.”
Published Version: doi:10.1215/0094033X-3625283
Terms of Use: This article is made available under the terms and conditions applicable to Other Posted Material, as set forth at http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA
Citable link to this page: http://nrs.harvard.edu/urn-3:HUL.InstRepos:34391749
Downloads of this work:

Show full Dublin Core record

This item appears in the following Collection(s)

 
 

Search DASH


Advanced Search
 
 

Submitters