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dc.contributor.authorNagy, Gregory
dc.date.accessioned2019-09-13T15:24:46Z
dc.date.issued2019-02-22
dc.identifier.citationNagy, Gregory. 2019.02.22. "Homo ludens at play with the songs of Sappho: Experiments in comparative reception theory, Part Six." Classical Inquiries. http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries.en_US
dc.identifier.urihttp://nrs.harvard.edu/urn-3:HUL.InstRepos:41364786*
dc.description.abstractThis posting for 2019.02.22 is Part Six of a long-term project that started with Part One at 2019.01.08. The numbering of my paragraphs here in Part Six continues from §95 of Part Five, posted 2019.02.08, continuing from earlier posts. In Part Six here, I concentrate once again on the poetry of Catullus, which has been my main preoccupation in the course of this overall project ever since §53 in Part Three, posted 2019.01.25. This time, over forty paragraphs later, I hope to tie up some of the many loose ends that I have made for myself in pursuing the questions I face in studying the reception of Sappho by Catullus.en_US
dc.description.sponsorshipThe Classicsen_US
dc.language.isoen_USen_US
dc.publisherHarvard University, Center for Hellenic Studiesen_US
dc.relationClassical Inquiriesen_US
dc.relation.isversionofhttps://classical-inquiries.chs.harvard.edu/homo-ludens-at-play-with-the-songs-of-sappho-experiments-in-comparative-reception-theory-part-six/en_US
dash.licenseLAA
dc.titleHomo ludens at play with the songs of Sappho: Experiments in comparative reception theory, Part Sixen_US
dc.typeJournal Articleen_US
dc.description.versionVersion of Recorden_US
dc.relation.journalClassical Inquiriesen_US
dash.depositing.authorNagy, Gregory
dc.date.available2019-09-13T15:24:46Z
dash.affiliation.otherFaculty of Arts & Sciencesen_US
dash.contributor.affiliatedNagy, Gregory


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