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dc.contributor.authorBlair, Ann
dc.date.accessioned2019-09-18T13:41:04Z
dc.date.issued2017
dc.identifier.citationBlair, Ann. "The 2016 Josephine Waters Bennett Lecture: Humanism and Printing in the Work of Conrad Gessner." Renaissance Quarterly 70, no. 1 (2017): 1-43.en_US
dc.identifier.issn0034-4338en_US
dc.identifier.issn1935-0236en_US
dc.identifier.urihttp://nrs.harvard.edu/urn-3:HUL.InstRepos:41376563*
dc.description.abstractI discuss how printing affected the practice of scholarship by examining the working methods of Conrad Gessner (1516–65), a prolific humanist, bibliographer, and natural historian. Gessner supplemented his revenue as city physician in Zurich through his publishing activities. He hailed printing, along with libraries to preserve the books, as crucial to the successful transmission of learning to the distant future. Gessner also used printing as a kind of social media: to reach readers rapidly all over Europe, in order to solicit contributions to his research projects underway, to advertise forthcoming books, and to develop his own thinking through multiple iterations.en_US
dc.language.isoen_USen_US
dc.publisherCambridge University Press (CUP)en_US
dc.relationRenaissance Quarterly, 70:1 (2017), pp. 1-43.en_US
dash.licenseOAP
dc.subjectLiterature and Literary Theoryen_US
dc.subjectHistoryen_US
dc.subjectVisual Arts and Performing Artsen_US
dc.titleThe 2016 Josephine Waters Bennett Lecture: Humanism and Printing in the Work of Conrad Gessneren_US
dc.typeJournal Articleen_US
dc.description.versionAccepted Manuscripten_US
dc.relation.journalRenaissance Quarterlyen_US
dc.date.available2019-09-18T13:41:04Z
dash.affiliation.otherFaculty of Arts & Sciencesen_US
dc.identifier.doi10.1086/691829
dc.source.journalRenaiss. Q.
dash.source.volume70;1
dash.source.page1-43
dash.contributor.affiliatedBlair, Ann


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