Discrete/Continuous: Music and Media Theory after Kittler
MetadataShow full item record
CitationAlexander Rehding, Gundula Kreuzer, Peter McMurray, Sybille Krämer, Roger Moseley Journal of the American Musicological Society, Vol. 70 No. 1, Spring 2017; (pp. 221-256)
AbstractAt first blush, the pair discrete/continuous seems to take us far from the concerns of musicology and place us firmly in the realm of statistics, data analysis, and number crunching. Put graphically, “discrete data” translates into dots or interrupted lines, while “continuous data” implies a curve. This would mean counting and measuring— how can these activities be relevant to music?
Citable link to this pagehttp://nrs.harvard.edu/urn-3:HUL.InstRepos:41392851
- FAS Scholarly Articles 
Contact administrator regarding this item (to report mistakes or request changes)