Person: Blair, Ann
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Publication The 2016 Josephine Waters Bennett Lecture: Humanism and Printing in the Work of Conrad Gessner
(Cambridge University Press (CUP), 2017) Blair, AnnI discuss how printing affected the practice of scholarship by examining the working methods of Conrad Gessner (1516–65), a prolific humanist, bibliographer, and natural historian. Gessner supplemented his revenue as city physician in Zurich through his publishing activities. He hailed printing, along with libraries to preserve the books, as crucial to the successful transmission of learning to the distant future. Gessner also used printing as a kind of social media: to reach readers rapidly all over Europe, in order to solicit contributions to his research projects underway, to advertise forthcoming books, and to develop his own thinking through multiple iterations.
Publication Erasmus and His Amanuenses
(Brill, 2019-03-13) Blair, AnnThis Margaret Mann Phillips lecture of 2018 examines Erasmus’s relationships with his amanuenses, building on the work of Franz Bierlaire (1968) and others. It especially considers when and why members of Erasmus’s familia appeared in print in his works. Mention of servants functioned in a variety of ways to allay the author’s responsibility for features of the text that might be criticized. Manuscript evidence also shows Erasmus working with his amanuenses in the preparation of publications and indexes in particular.
Publication A Quantitative Study of the Paratexts in Erasmus-Froben Imprints
(Brill, 2021-10-08) Blair, Ann; Patton, MaryamWe study the paratexts in Erasmus’ imprints with Johann then Hieronymus Froben of Basel between 1514 and 1536. From Valentina Sebastiani’s bibliography of Johann Froben we observe that Erasmus was a more abundant paratexter than other authors who published with Johann Froben. We supplement that work with a bibliography of Erasmus’ imprints with Hieronymus Froben. We note trends across the Erasmus-Froben corpus, including: a remarkable number of imprints, equally balanced between new editions and re-editions, abundant dedications without correlation to format, indexes in folio volumes especially, a growing attention to errata lists over time. These patterns shed light on one author-printer partnership but also on more general trends in learned publishing in the early 16th century.