DASH
Repository logo
Communities & Collections
Browse DASH
DASH Stories
Statistics
  1. Home
  2. Faculty of Arts and Sciences
  3. FAS Theses and Dissertations
  4. The Mountains, the Mosque, & the Red City: ʿAbd Al-Muʾmin and the Almohad Legacy in Marrakesh

The Mountains, the Mosque, & the Red City: ʿAbd Al-Muʾmin and the Almohad Legacy in Marrakesh

Open/View files
STOCKSTILL-DISSERTATION-2018.pdf (38.2 MB)
Date
May 15, 2018
Author(s)
Stockstill, Abbey Parker
The Harvard community has made this article openly available. Please share how this access benefits you.
Citation
Stockstill, Abbey Parker. 2018. The Mountains, the Mosque, & the Red City: ʿAbd Al-Muʾmin and the Almohad Legacy in Marrakesh. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences.
Abstract
My dissertation examines twelfth-century Marrakesh in a moment of transition between two dynasties of Berber origin, the Almoravids (1040-1147) and the Almohads (1121-1269). I argue that it was under the first Almohad caliph, ʿAbd al-Muʾmin, that Marrakesh developed into a thriving metropolis that attempted to translate a seminomadic, tribal past into an architectural vernacular on an imperial scale. In tracing this transition, I examine the Almohad capital city as an urban space anchored through two architectural monuments. The first chapter looks at the sites and rituals of the royal quarter, known as Tamarrakusht, which clearly defined a space along a north-south axis in which the dynasty and the local populace interacted. Within this space, the Almohads utilize the landscape as a backdrop to those ceremonies that confirm their past as Masmuda Berbers, and manipulate the topography to position themselves in an act of perpetual motion going to and coming from the nearby Atlas Mountains that serve as their ethnic homeland. The second chapter focuses on the primary extant monument of the dynasty, the Kutubiyya mosque, which I argue is reflective of Almohad concerns about asserting their dominance over and difference from the prior Almoravid dynasty. More than mere triumphalism, however, the Kutubiyya employs the architectural precedents of the Islamic West to express the spiritual precision that defined the Almohad movement. The third and final chapter examines another monument, the mosque at Tinmal, a mountain village that became a dynastic necropolis and pilgrimage site. I argue that Tinmal activates the surrounding landscape with the resonance of an ethnic homeland, developing the connection between identity and place to explore the Almohads’ sectarian identity and its role in their imperial self-concept.
Terms of Use
This article is made available under the terms and conditions applicable to Other Posted Material (LAA), as set forth at Terms of Service
URI
http://nrs.harvard.edu/urn-3:HUL.InstRepos:41127171
Subjects

Islamic art

Islamic architecture

Maghrib

Almohad

Almoravid

Mediterranean

urbanism

North Africa

Morocco

Marrakesh

Atlas Mountains

Landscape

Collection
FAS Theses and Dissertations
Metrics
Repository logo
  • CONTACT US
  • OSRDS
  • ABOUT DASH
  • DEPOSITING TO DASH
  • TERMS OF USE
  • REQUEST A WAIVER
  • TAKE DOWN POLICY
  • NAME CHANGE POLICY
  • HARVARD OA POLICIES
  • DASH SUBMITTER AGREEMENT
  • Accessibility
  • Privacy
Creative Commons License BY
Creative Commons Attribution 4.0 International License

Except where otherwise noted, this work is subject to a Creative Commons Attribution 4.0 International License,
which allows anyone to share and adapt our material as long as proper attribution is given.
For details and exceptions, see the Harvard Library Copyright Policy
©2024 Presidents and Fellows of Harvard College.