Publication: Discrete/Continuous: Music and Media Theory after Kittler
No Thumbnail Available
Open/View Files
Date
2017-04-01
Published Version
Journal Title
Journal ISSN
Volume Title
Publisher
University of California Press
The Harvard community has made this article openly available. Please share how this access benefits you.
Citation
Alexander Rehding, Gundula Kreuzer, Peter McMurray, Sybille Krämer, Roger Moseley
Journal of the American Musicological Society, Vol. 70 No. 1, Spring 2017; (pp. 221-256)
Research Data
Abstract
At first blush, the pair discrete/continuous seems to take us far from the concerns of musicology and place us firmly in the realm of statistics, data analysis, and number crunching. Put graphically, “discrete data” translates into dots or interrupted lines, while “continuous data” implies a curve. This would mean counting and measuring— how can these activities be relevant to music?
Description
Other Available Sources
Keywords
Music
Terms of Use
This article is made available under the terms and conditions applicable to Open Access Policy Articles (OAP), as set forth at Terms of Service