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Visions in sand: the sound figures in Goethe, Schopenhauer, and Nietzsche

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2018-09-06

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On the reception of the sound figures, an eighteenth-century acoustical experiment, in the writings of Goethe, Schopenhauer, and Nietzsche. It focuses especially on the philosophical ramifications for literary studies and the history of science.

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Literature, Germanic, History of Science, Philosophy

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