re/collection: artist as chaplain, chaplain as artist

dash.author.emailercords@gmail.com
dash.identifier.orcid0009-0001-1461-1860
dc.contributor.advisorPaulsell, Stephanie
dc.contributor.authorCordingley, Emmeline R.
dc.date.accessioned2025-06-25T13:55:47Z
dc.date.submitted2025-05
dc.description.abstractI invited acquaintances to draw images on my arm; images that represented a story from their life. As they sat with me, taking a marker to my skin, I listened to their stories, collecting their recollections. These marks were permanently tattooed on my skin, rendering visible the everyday collection of memories and impressions. Through a consideration of storytelling and memory, I probe at the touchpoint where artist and chaplain meet. With a brief history of performance art and a poetic reinterpretation of the spiritual assessment model, this work presents collected fragments that touch on human interdependence, the body as site of memory, and the experience of caring for another.en_US
dc.description.versionAuthor's Originalen_US
dc.identifier.citationCordingley, Emmeline R.. 2025. "re/collection: artist as chaplain, chaplain as artist." Master's thesis, Harvard Divinity School
dc.identifier.urihttps://dash.harvard.edu/handle/1/42718561
dc.language.isoen_USen_US
dc.subjectartIIchaplainIIspiritual careIItattooIImemoryIIstoryen_US
dc.titlere/collection: artist as chaplain, chaplain as artist
oaire.licenseConditionLAA
thesis.degree.date2025
thesis.degree.disciplineDivinityen_US
thesis.degree.grantorHarvard Divinity Schoolen_US
thesis.degree.grantorHarvard Divinity Schoolen_US
thesis.degree.levelMASTERSen_US
thesis.degree.nameMaster of Divinityen_US
thesis.degree.nameMDiv

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